Marian Wilson Kimber is Professor of Musicology at the University of Iowa and the editor of the Journal of the Society for American Music.

On October 6, prison laborers began the process of dismantling the 168-year-old State Historical Society of Iowa in Iowa City. State administrators claim it is too expensive to run. You wouldn’t think a music historian like me would have much to look at in the Society’s collection. Spillville was famously visited by Czech composer Antonín Dvořák in 1893. Iowa was the birthplace of Meredith Willson, Bix Beiderbecke, and Simon Estes and the site of the Surf Ballroom, but otherwise, it doesn’t have much of a musical reputation.

I first visited the modest brick building in 2011, searching for the women who posed like the “Grecian urn” ladies satirized in Willson’s The Music Man—yes, they were real. The collection had photographs. But it was something else I encountered there that transformed my research. Archivist Mary Bennett brought me a cardboard box of little program booklets from women’s clubs all over Iowa.