Weekend open thread: "The Lost Girls" edition

What’s on your mind this weekend, Bleeding Heartland readers? This is an open thread: all topics welcome.

Jason Cherkis’s investigative piece for the Huffington Post, “The Lost Girls,” went viral instantly and has struck a chord with many women I know. Cherkis tells the story of Jackie Fox (real name Jackie Fuchs), the bass player for the all-girl band The Runaways. I literally knew nothing about the group before reading this piece, not even that it launched Joan Jett’s career. The focus of “The Lost Girls” is manager Kim Fowley’s horrific rape of a drugged Fox, then 16 years old, in front of her bandmates and others associated with The Runaways. Cherkis spoke with Jessica Hopper about the challenges of researching and writing Jackie’s story. Evelyn McDonnell, author of a book about The Runaways, assesses the journalist’s conduct critically here.

A thread running through “The Lost Girls” is current understanding of the “bystander effect.” Why do multiple witnesses to a crime sometimes do nothing, and how do they process the event later? If Cherkis’ reporting is accurate, some people who witnessed Jackie’s rape were shattered by what happened in that room. But according to the woman who later played bass in the group, other band members had a “running joke” about what Fowley had done to Jackie. This open letter to Jett from Hether Fortune of Wax Idols echoed a lot of my feelings after reading the article. It’s easy to understand why no one in the band spoke up for Jackie at the time. Fowley had near-total control over their future careers. The way he brutalized Jackie sent a strong message to the other Runaways: you could be next in line, and no one will protect you. But how disappointing, nearly 40 years later, for Jett to pretend (through a representative) that she didn’t know about the rape. How much would it cost her to express regret for what Jackie went through and remorse about her bystander role?

Judging by numerous threads I’ve read on social media, “The Lost Girls” has prompted many women to reflect on disturbing events we experienced or observed as teenagers–not only crimes, but also consensual relationships that now stand out as an abuse of power by an authority figure.  

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