Ira Lacher ponders growing diversity and anti-immigration sentiment.
I’m coming down off an incredible high — not from a substance I ingested but from a substance I viewed, specifically In the Heights, director John Chu’s cinematic interpretation of Lin-Manuel Miranda’s 2008 Tony Award-winning musical about the dwellers of the Washington Heights neighborhood of Upper Manhattan in New York City.
Many of those residents, and the actors, actresses, and dancers who portray them, are descended from Latino immigrants. Movies being what movies are, all of them display an energy that derives strength from their ancestry, whether from the Dominican Republic, Puerto Rico, Mexico, Ecuador, or other.
But regardless of “cinema o-verite,” that energy from the actual residents is real, and is pure American; the energy of hope, anticipation, and freedom.
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